His linocuts were alot less adventurous. The ravine at San Remo is impressionistic in a Frank Brangwyn way, the views of Chauoen a touch wish-you-here. The saturated blue stylishness the town used to have is missing.
At least the white robes and turbans are authentic. A shame in many ways he wasn't a better observer. The prints are basically OK if old-fashioned in the way they rely on Western perspective for their impact. No hint here of the scale and subtlety of northern Moroccan architecture.
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